Homecoming for a Python

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Standing Wolf

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This Colt Python started life with a six-inch barrel. A month or two after buying my first Python in late 2000, I spotted it in the used guns case at the National Shooting Club in Santa Clara, the People’s Republic of California. It was in pretty good condition. The trigger was excellent. The cylinder locked up like a bank vault. The price tag was considerably higher than I wanted to pay, but haggling got me nowhere. The revolver had been on display less than half an hour, and I was the third person to look at it. I wrote the check.

Like most Pythons, this was a shooter; unlike many later Pythons, this one had a fine, truly fine trigger. Several years later, I discovered it had been made in 1969.

I ordered a four-inch barrel from Brownells (http://www.brownells.com) the following morning. It was the last four-inch barrel in stock, according to the fellow I spoke with. I sent it to Magnaport (http://www.magnaport.com) for quadruple porting and barrel crowning. I have no idea why Colt never crowned Python barrels—unless, of course, it simply had to be different from every other manufacturer. I put my name on the waiting list at Cylinder & Slide (http://www.cylinder-slide.com), and eventually shipped the gun and replacement barrel to Nebraska.

Ooooops!

As matters developed, the post-1991 barrel couldn’t be installed on the 1969 Python: Colt changed the threads for reasons unknown. I’d even known that. I’d just forgotten it. Fortunately, Cylinder & Slide was able to locate a four-inch barrel with the right threads, which was then sent to Magnaport for the same work I’d just had done at considerable expense. Cylinder & Slide made a new front sight to replace the ramped Colt sight with plastic insert, installed the barrel, and sent the gun back to me. I’d already ordered presentation grade walnut stocks from Herrett’s Stocks (http://www.herrettstocks.com) and a holster and several belts from Mitch Rosen (http://www.mitchrosen.com).

I couldn’t legally carry the gun in the People’s Republic of California, of course, since commoners aren’t trusted to defend their lives and property, but had already decided to return to the United States.

That’s when I made a horrendous mistake.
 

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I shipped the gun to Checkmate Custom in Brooksville, Florida for nitre bluing and gold plating of the hammer and trigger. The woman I spoke with assured me her company did both gold plating and old-fashioned, rather tricky nitre bluing all the time. It was expensive, and the job took over four months, but I wanted this to be an elegant carry gun.

Checkmate Custom made the most wretched botched mess of a revolver I’ve ever seen in my life. Whoever did the polishing couldn’t have had more than half an hour’s prior experience. The color was all awry and ludicrously inconsistent. When I called the woman, I was told the company hardly ever did nitre bluing, and the gun was my problem, not hers. She relented when I threatened to write to the Florida attorney general’s office. I shipped the gun back for repolishing and “royal†bluing. Months later, I received it back, still more badly polished, but at least a nearly uniform color. The Herrett’s stocks didn’t still fit right: too much metal had been abraded from the grip frame. The rear sight had been damaged, so I replaced it with a significantly better sight from Millet Sights (http://www.millettsights.com).

It was still a fine shooter, but I couldn’t stand to look at the grossly abused revolver, and so put it in the gun safe and tried to forget about it. I sorely wished I’d been content with regular bluing all along.
 

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Last summer, while looking for something else, I happened upon an engraver’s web site. Intrigued, I looked at a few more engravers’ sites. By and bye, I sent an E-mail message to Michael Gouse (http://www.mtart.com/index.htm), who assured me he could, indeed, work on an over-polished revolver, and could, indeed, engrave it in something other than the usual bank note style.

The rampant colt and arrow were almost completely lost during the incompetent polishing and repolishing. Michael restored them. The white tape inside the stocks keeps them from wobbling: nearly a sixteenth of an inch of steel was removed from the grip frame in places.
 

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Here’s a view of the left side of the revolver in strong light and shadow. The cylinder flutes looked more like shallow depressions than actual flutes. They still do, but the engraving lends them visual definition.
 

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Yes, I do carry this Python sometimes. It’s bulkier than my primary carry gun, but the holster holds it high and tight, and doesn’t let it flop this way or that. Mitch Rosen’s belts are delivered pre-curved so they fit the way good old belts fit, and don’t need to be broken in.

When I’m in a mood for showing off, I carry it openly. When I’m in my more reserved moods, I carry it under a jacket or sweater. Both methods are legal in Colorado—Denver excepted, to be sure.

In any event, this Python normally does reside in my gun safe, but I take it out now and then instead of leaving it on a bottom shelf at the back.
 

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I shudder to think about how much you have in this gun by now but it does look sweet. I generally don't like gold plated gun parts but they look good on your Python.

Are you happy with the engraving? Looks nice in the pics, how about in person? I ask because I currently have a gun being engraved by Gouse and I've never seen his work in person.
 
Are you happy with the engraving? Looks nice in the pics, how about in person? I ask because I currently have a gun being engraved by Gouse and I've never seen his work in person.

Yes, I am happy with it. I'd already sent a pre-agreement Smith & Wesson model 629 cylinder to Gouse (http://www.thehighroad.org/showthread.php?t=103014), so I knew he does good work.

I predict you'll be delighted with his work.

I have a hunch there are lots of highly skilled artisans tucked away in odd corners all over the country. They were exceedingly difficult to find before Liar Gore kindly invented the internet for us.
 
This is not the first time I have heard of Checkmate Rustem being incompetent baboons.

And as usual Michael Gouse has created a masterpiece. I feel that 50 years from now his work will be ranked up there as one of the best of all time.
I know of no living engraver any better.
 
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